Students must study the following modules for credits: Focus will shift to the work of established authors, using sample texts as a stimulus to your own writing. The aim of this module is to get you writing prose fiction and poetry. This process may also involve reflective practice and blogging via a Virtual Learning Environment.
Students must study the following modules for credits: It aims to help you to read historically, by offering a range of models of the relationship between literature and history, explored through the study of selected historical and literary moments.
You will be taught at a weekly lecture, with an accompanying seminar. Yet this 19th century novel is only one influential form of realism among many. Realist impulses have often pulled writers in different directions, suggesting a plurality of different formal strategies.
At its heart, the module will invite you to ask three questions: How does the form in which criticism is written shape its meaning? The focus will fall again on small-group discussion and on the reading of a small number of texts.
With this close attention to reading at its core, the module will also look at a number of the terms and ideas central to the study of literature and to the practice of interpretation.
The reading for each week will focus on a stated aspect of literary writing, with related tasks set for you as you go along.
This range allows you to use your option to further study theory and practice of writing texts. What is a literary text and how does it differ from non-literary texts? How do we, as writers, engage the reader?
Is style ornament or meaning? These are some of the central questions of this module. This will make you a better reader and writer. This range allows you to choose from other Arts and Humanities subjects that complement your degree and tailor it to interests you would like to pursue in the second and third year.
You will follow the - often fiercely contested - development of a national literature, tracing the way this multitude of voices differs from place to place, from decade to decade, and from writer to writer. Writers studied on this module in past years have included: Eliot and William Faulkner.
You will be introduced to these vibrant voices through reading and discussing short stories, novels, poetry, non-fiction and critical work. You will attend lectures, and take part in follow-up discussion-based seminars. Each week you will consider the context of the texts you read, as well as working to analyse and explain how they work on the reader and in society at large.
You will encounter debates about the meaning of freedom in life and in art, what it might mean to be modern or to refuse that modernityabout the responsibilities of citizenship to other people and to the environment, and about what it might mean to write and be read in the modern United States of America.
You will become familiar with a wide range of late 19th-century and early 20th-century American texts and writers. You will learn the major movements in American literature from the fin de siecle through to the Second World War, and will be able to talk about the issues surrounding the development of a national and literary culture.
Through doing this, you will improve your ability to read and analyse literary texts, to describe how language works in history and on the reader, and to identify and present new and exciting patterns in what you read. How can we unpick and understand the complex experiences that shape American identity?
Classes will further facilitate skills in reading, writing, analysis and independent thinking, through which you will gain the confidence and the tools necessary to be a self-supporting learner, giving you a strong academic foundation for the rest of your degree programme.International Scholars Tuition School International Scholars Tuition School (IST) tutors are dedicated to teaching the most comprehensive lessons for the 11+ Common Entrance Exams (CEE), UKiset, Verbal Reasoning, Non-Verbal Reasoning, 13+ Common Entrance Exams (CEE), 13+ Common Academic Scholarship Exams (CASE), and Eton College King’s Scholarship Exams, to Hong Kong students who .
Linda Anderson is an award-winning novelist (To Stay Alive and Cuckoo, both published by Bodley Head) and writer of short stories, poetry, performance pieces, and critical timberdesignmag.com work has been published in Britain, Ireland, the USA, and Australia.
She has taught at Goldsmiths' College and at Lancaster University for ten years, becoming Head of Creative Writing from All applicants to the University of East Anglia must be able to demonstrate an acceptable level of English language before they can be admitted onto any course or programme.
This page gives guidance on the minimum entry levels for the University - some courses may ask for a higher standard of.
Gain an Oxford qualification. From undergraduate certificates to Master's and DPhil (PhD) Flexible study. Most of our undergraduate programmes are part-time and designed to fit in with other commitments.
The University of East Anglia (UEA) is an award-winning, highly ranked university situated in a city steeped in history and culture, with a wealth of tourist attractions and entertainment. The campus has a great community atmosphere, and shops, facilities, cafés, accommodation, and teaching rooms are all within a short walking distance of each other.
The University of East Anglia's Creative Writing Course was founded by Sir Malcolm Bradbury and Sir Angus Wilson in The M.A.
is widely regarded as the most prestigious and successful in the country  and competition for places is notoriously tough.